top of page
CARAMEL
Métis eurafricains
A -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Aguigah, René | Humboldt-Forum. Ein Berliner Schloß für die Welt | Tempus Corporate | Berlin | 2015 |
Appiah, Kwame Anthony; Appiah, Kwame Anthony | Africana: the encyclopedia of the African and African American experience | Basic Civitas Books | New York | 1999 |
Asava, Zélie | Myth and Murder in The Daisy Chain | Estudios Irlandeses | s..l. | 2010 |
Asava, Zélie | Multiculturalism and Morphing in I’m Not There (Haynes, 2007) | Wide Screen | s..l. | 2010 |
Asava, Zélie | Entering the Dark Place: Visions of Irish Horror in Seer (2008) | Estudios Irlandeses | s..l. | 2008 |
Asava, Zélie | The Black Irish onscreen: representing Black and mixed-race identities on Irish film and television | s.n. | s.l. | 2013 |
Asava, Zélie | Mixed race cinemas: multiracial dynamics in America and France | Bloomsbury Academic | New York | 2017 |
Asava, Zélie | DRÔLE DE FÉLIX: A SEARCH FOR CULTURAL IDENTITY ON THE ROAD | s.n. | s..l. | 2011 |
B -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Bergold-Caldwell, Denis | Spiegelblicke: Perspektiven Schwarzer Bewegung in Deutschland | Orlanda | Berlin | 2015 |
C -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
D -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Dabiri, Emma | What white people can do next: from allyship to coalition | s.n. | s.l. | 2021 |
Dabiri, Emma | Don't touch my hair | Allen Lane | London | 2019 |
E -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
El Tayeb, Fatima | “Blood Is a Very Special Juice”: Racialized Bodies and Citizenship in Twentieth-Century Germany | Cambridge University Press | Cambridge, UK | 1999 |
El-Tayeb, Fatima | Undeutsch: die Konstruktion des Anderen in der postmigrantischen Gesellschaft | Transcript | Bielefeld | 2016 |
El-Tayeb, Fatima | The Universal Museum: How the New Germany Built its Future on Colonial Amnesia | NKA | Ihaca | 2020 |
El-Tayeb, Fatima | Anders Europäisch: Rassismus, Identität und Widerstand im vereinten Europa | Unrast | Münster | 2015 |
El-Tayeb, Fatima | The Archive, the Activist, and the Audience, or Black European Studies: A Comparative Interdisciplinary Study of Identities, Positionalities, and Differences | Transit | Berkeley, Calif. | 2005 |
El-Tayeb, Fatima | 'If You Can't Pronounce My Name, You Can Just Call Me Pride': Afro-German Activism, Gender and Hip Hop | Blackwell Science Ltd2003 | Place: Oxford, UK and Boston, USA | 2003 |
El-Tayeb, Fatima | Schwarze Deutsche: der Diskurs um "Rasse" und nationale Identität 1890-1933 | Campus | Frankfurt/Main ; New York | 2001 |
El-Tayeb, Fatima | Making Do. Survival Strategies under Precarity (Parts A and B) | University of California | USA | 2013 |
El-Tayeb, Fatima | "The Birth of a European Public": Migration, Postnationality, and Race in the Uniting of Europe | Place: College Park | Johns Hopkins University Press | 2008 |
El-Tayeb, Fatima; Maccarone, Angelina | Alles wird gut: das Buch zum Film | Orlanda Frauenverl | Berlin | 1999 |
F -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
G -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Gilroy, Paul | The black Atlantic: modernity and double consciousness | Cambridge Mass: Harvard University Press | s.l. | 1996 |
Gilroy, Paul | After empire: melancholia or convivial culture ? | Routledge | Abingdon | 2004 |
Gilroy, Paul | "There ain't no Black in the Union Jack": the cultural politics of race and nation | Routledge | London | 1995 |
Gilroy, Paul | Against race: imagining political culture beyond the color line | The Belknap Press of Harvard University Press | Cambridge MA | 2001 |
Gilroy, Paul | L'Atlantique noir: modernité et double conscience | Éditions Amsterdam | Paris | 2010 |
Gilroy, Paul; Braidotti, Rosi | Conflicting humanities | Bloomsbury Academic | London | 2016 |
Gilroy, Paul; Marc Saint-Upéry - traducteur | Mélancolie postcoloniale | B42 | Paris | 2020 |
H -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Hadija, Haruna et al. | Leitfaden für einen rassismuskritischen Sprachgebrauch | s.n. | Köln | 2013 |
Hall, Stuart; Gilroy, Paul; Gilmore, Ruth Wilson; Gilmore, Ruth Wilson; Gilroy, Paul | Selected Writings on Race and Difference | Duke University Press | Durham | 2021 |
Heil, Tilmann; Gamlen, Alan; Liberatore, Guilia; Neveu Kringelbach, Hélène; Signoa, Nando | Living with difference locally, comparing transnationally: Conviviality in Catalonia à la Casamance | Oxford | s.l. | 2015 |
Holohan, Conn; Tracy, Tony | Masculinity and Irish Popular Culture: Tiger's Tales. | Palgrave Macmillan | Basingstoke | 2014 |
Hügel-Marshall, Ina | Entfernte Verbindungen: Rassismus, Antisemitismus, Klassenunterdrückung | Orlanda-Frauenverl | Berlin | 1999 |
I --------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
J -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
K -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Kringelbach, Helene Neveu | From Strangers to Kin: Rituals and Transmission Processes in Euro‐Senegalese | Innovation, Transformation, and Sustainable Futures in Africa | s.l. | 2016 |
Kringelbach, Helene Neveu | From Strangers to Kin: Rituals and Transmission Processes in Euro-Senegalese | Innovation, Transformation, and Sustainable Futures in Africa | s.l. | 2016 |
Kringelbach, Helene Neveu; Arnaut, Karel | African Diaspora between Editorial Challenges and Planetary Futures Interview with Helene Neveu Kringelbach | BRILL ACADEMIC PUBLISHERS | s.l. | 2018 |
Kringelbach, Hélène Neveu | Studio Cameroon | James SColeman African Studies Center, UCLA International Institute, University of California, Los Angeles | USA | 2009 |
Kringelbach, Hélène Neveu | CHOREOGRAPHIC PERFORMANCE, GENERATIONS AND THE ART OF LIFE IN POST-COLONIAL DAKAR | Cambridge University Press | Cambridge, UK | 2014 |
Kringelbach, Hélène Neveu | The Paradox of Parallel Lives: Immigration Policy and Transnational Polygyny between Senegal and France | University of Chicago Press | s.l. | 2016 |
Kringelbach, Hélène Neveu | Studio Cameroon The Everyday Photography of Jacques Touselle. November 9, 2007–June 29, 2008, Pitt Rivers Museum, University of Oxford, England | African arts | s.l. | 2009 |
Kringelbach, Hélène Neveu | “Marrying Out” for Love: Women’s Narratives of Polygyny and Alternative Marriage Choices in Contemporary Senegal | Cambridge University Press | New York | 2016 |
L -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
M ------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Morris, Natalie | Mixed/Other: Explorations of Multiraciality in Modern Britain | Trapeze | s.l. | 2021 |
Morrison, Angeline | Emerging research | Publisher: Taylor & Francis Group | s.l. | 2001 |
Morrison, Angeline | EV+A 2000: Friends and Neighbours | Publisher: The Women's Art Library | Place: London | 2000 |
Morrison, Angeline Dawn | Liminal blankness: mixing race & space in monochrome's psychic surface | ProQuest Dissertations Publishing | s.l. | 2002 |
N -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
NEVEU KRINGELBACH, Hélène | le poids du succès »: Construction du corps, danse et carrière à Dakar : Politiques du corps | Karthala | Paris | 2007 |
Negra, Diane; Asava, Zélie | Race and Cinema | Oxford University Press | s..l. | 2013 |
Neveu Kringelbach, Helene; Hill, J.; Bithell, C. | Choreographic revival, elite nationalism, and postcolonial appropriation in Senegal | Oxford University Press | s.l. | 2014 |
Neveu Kringelbach, Hélène | Le poids du succès »: construction du corps, danse et carrière à Dakar | Karthala | s.l. | 2007 |
Neveu Kringelbach, Hélène | Gendered educational trajectories and transnational marriage among West African students in France | Routledge | UK | 2015 |
Neveu Kringelbach, Hélène | Dance circles: movement, morality and self-fashioning in urban Senegal | Berghahn | New York | 2013 |
Neveu Kringelbach, Hélène; Neveu Kringelbach, Hélène; Skinner, Jonathan | Dancing cultures: globalization, tourism and identity in the anthropology of dance | Berghahn Books | New York | 2012 |
Neveu Kringelbach, Hélène; Plancke, Carine | Introduction: dance in Africa and beyond: creativity and identity in a globalized world | Routledge | s.l. | 2019 |
O -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Ofuatey-Alazard, Nadja | Wie Rassismus aus Wörtern spricht: (K)Erben des Kolonialismus im Wissensarchiv deutsche Sprache: ein kritisches Nachschlagewerk | Unrast Verlag | Münster | 2011 |
P -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Pesarini, Angelica | The Reinvention of Tradition: New Configurations of Gender Identity and Economic Strategies Within Roma Communities in Italy | Publisher: Oxford University Press | s.l. | 2013 |
Pesarini, Angelica | Colour strategies: negotiations of black mixed race women's identities in colonial and postcolonial italy | ProQuest Dissertations Publishing | s.l. | 2015 |
Pesarini, Angelica | Bodies crossing borders: Negotiations of race and gender in Colonial and Fascist East‑Africa | Rives méditerranéennes | s.l. | 2020 |
Pesarini, Angelica | Bodies crossing borders | Publisher: TELEMME - UMR 6570 | s.l. | 2020 |
Pesarini, Angelica; Bartolomei, Arnaud; Gissi, Alessandra; Inaudi, Silvia; Morelli, Serena; Odasso, Laura; Asquer, Enrica; Richard, Annick | La construction d’une culture de l’intimité familiale | Publisher: TELEMME - UMR 6570 | s.l. | 2020 |
Piesche, Peggy | Wasser aus der Wüste. Schwarze Autorinnen in Deutschland. Eine Anthologie | Orlanda Frauenverlag | Berlin | 2002 |
Piesche, Peggy; Konuk, Kader; Gelbin, Cathy S. | AufBrüche: Kulturelle Produktionen von Migrantinnen, Schwarzen und jüdischen Frauen in Deutschland | s.n. | s.l. | 1999 |
Post, Robert C.; Appiah, K. Anthony; Butler, Judith; Grey, Thomas C.; Siegel, Reva B. | Prejudicial Appearances: The Logic of American Antidiscrimination Law | Duke University Press | Durham | 2001 |
Q -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
R -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
S -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Sow, Noah | Deutschland Schwarz Weiß: der alltägliche Rassismus | BoD-Books on Demand | Norderstedt | 2018 |
Sow, Noah | The Beast in The Belly | heimatkunde | Migrationspolitisches Portal der Heinrich-Böll-Stiftung | Heinrich-Böll-Stiftung | s.l. | 2008 |
Sow, Noah | Deutschland Schwarz Weiß: „Emanzipatorische Aufklärung zeigt sich wellenförmig“ | heimatkunde | Migrationspolitisches Portal der Heinrich-Böll-Stiftung | Heinrich-Böll-Stiftung | s.l. | 2014 |
T -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
U -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
V -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
W ------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Wyporska, Wanda | Witchcraft, Arson and Murder-The Turek Trial of 1652 | Publisher: Routledge | s.l. | 2003 |
Wyporska, Wanda | Polish Succession, War of the (1733–1738) | s.n. | s.l. | 2004 |
Wyporska, Wanda | Between the Devil and the Host: Imagining Witchcraft in Early Modern Poland by Michael Ostling (review) | Publisher: Duke University Press | s.l. | 2014 |
X -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Y -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Z -------------------- | ------------------------------------------------------------ | -------------- | -------------- | --------- |
Éva Pócs; Gábor Klaniczay; Wyporska, Wanda | JEWISH, NOBLE, GERMAN, OR PEASANT?: THE DEVIL IN EARLY MODERN POLAND | Central European University Press | s.l. | 2006 |
bottom of page